11/30/2023 0 Comments Monica bellucci spectre movie![]() ![]() ![]() It’s curious to see this listed separately as the call and response is included on the track “Day of the Dead” on the SPECTRE soundtrack. I can’t find this anywhere online, but guessing it is the background music playing in the bar at the Hoffler Clinic after Madeline throws Bond out of her office when Bond can’t get a Vodka martini. Written & Performed by Yann McCullough & Paul Chandler When Bond gets stuck behind the Fiat 500 (44:35) you can hear snatches of this on the driver’s car stereo. Performed by Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge You only get the opening bars, so difficult to tell. I couldn’t find this particular version on Spotify but added the Frank Sinatra standard instead. It is heard VERY faintly in the background when Bond is writing Felix’s number for Lucia before leaving (35:00). This is the one song heard clearly heard in the film without being drowned out by Thomas Newman and really used well. Although I initially thought it was sung by a woman, believe it or not it is a man, Andreas Scholl, singing. This is the fantastically atmospheric music used in the villa scene mentioned at the start. Performed by Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer It isn’t available on Spotify but you can hear it on YouTube.Ĭum Dederit (Andante) Spotify | iTunes | Amazon UK | Īccompanied by Los Trobadores de Rogelio GasparĪfter they enter the lift you can hear this track in the background (around 2:48) for a few seconds. Just before Bond and Estrella enter the hotel (1:58) you can hear an atonal whistling. This track is a bit of an oddity if you listen to it in full and only appears for about 10 seconds in the film. One thing to note: the tracks tend to be used in the background, often with Thomas Newman’s music blaring over the top. I’ve also included links to buy the tracks from iTunes and Amazon if you’d prefer to own them. You’ll need a free Spotify account if you don’t already have one, which you can sign up for here. It’s a real pity they were not included on the soundtrack album, with the theme song, gunbarrel and James Bond theme heard over the end credits.īut I did make a Spotify playlist so you can hear most of the tracks as they appear in the film. ![]() However, it is not the only music by artists other than Thomas Newman or Sam Smith that appears in the film. On the other hand I can imagine David Arnold writing something original that would have worked. His Bond soundtracks demonstrate a lack of the kind of subtlety required to really make the scene. But while the track works extremely well in the film it perhaps also demonstrates Thomas Newman’s limits. The song is “Cum Dederit” by Vivaldi, which I should have realised from the distinctive sound. Then finally, after watching the film recently at home, I made note of the end credits. Even a couple more screenings failed to jog my memory. In intended to find out what it was after attending the SPECTRE premiere and then an IMAX viewing the following day, but it slipped my mind. I loved the scene on first viewing and it is greatly helped by the classical music playing in the background. But when the two suppressed shots come it is the assassins that fall down dead. The assassins raise their guns as she looks out at Rome in the distance. They follow her into the garden, and while initially she seems to be unaware of them it becomes clear from her face that she expects to be shot dead at any moment. She turns on some music and pours and drink, walking through the house to the rear garden.īehind her in the shadows is first one and then a second of the assassins she expected. First we see her shows her car arriving (around 30:56 into the film) and switching on the light in her classically decorated house. ![]()
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